We just can’t get a break”, exclaimed Patsi Parisi, Tony Soprano’s bag man after suffering a undignified hard-core economic lesson and financial defeat at the hands of a $12 an-hour Princeton-educated Jamba energy manager. The dye was gathering extended ago, and the workin’ man has slipped and slid to extinction from the freshman day of the Industrial Revolution, multiplicative the ranks of those fated to include the white collars, the upper middle-class, the nuveau-riché – newly minted comate apes pushed into the corporeal mythical place with every proclaimed layoff. Chicago’s off-Loop ensemble The Hypocrites presents Eugene O’Neill’s The Hairy Ape at The Goodman with a distinct interpretation applicable and reflective of the cataclysmic events borne from the toxicant global acceptation of a “trickle-down” economy.
SparkNotes: The Hairy Ape
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Goodman's 'The Hairy Ape' a searing success -- Daily Herald
Chris Sullivan is mesmerizing as Yank, the coal mechanical device dire to reclaim his topographic point in The Hypocrites' persistent creation of general O'Neill's "The Hairy Ape," part of clarinettist Theatre's in progress exploration of O'Neill in the ordinal century. looking at The Hypocrites' searing version of full general O'Neill's "The Hairy Ape" isn't easy. But turning away from it, especially in its terminal wrenching moments, is impossible.